Grave Gamer News & Views — halloween

it8bit:

Luigi’s Mansion Projection Pumpkin

Created by ceemdee

Michael Myers Answers the Call of Duty

Infinity Ward is making my childhood dreams come true this month. They’re letting me wield a sharpened axe, don a menacingly emotionless visage of a mask, and sending me on a psychopathic rampage.

No, no, no, it’s not my dream to pretend to be a serial killer. My dream is to be a pop culture icon that happens to be a mass murderer. Subtle difference.

Yes, in detailing the first downloadable map pack for Call of Duty: Ghosts, among the ranks of urban and industrial battlegrounds (that are indistinguishable from the scores of urban and industrial battlegrounds that make up the DNA of this series), there was one oddball map that stuck out: Fog.

Fog is CoD’s DLC as it should be: the designers letting their hair down and coding something ridiculous and fun simply for the hell of it. Siphoning the atmosphere and visual staples of countless horror movies before it, Fog is a darkened, dank slice of macabre geography featuring dead woods, a lonely, dilapidated cabin, and an Eli Roth approved torture chamber.

And that’s not even the cool part. Successfully complete an operation during an online skirmish and you’ll transform into a slasher flick icon – Michael Myers, straight out of John Carpenter’s seminal Halloween (mayhaps “Fog” is a slier reference to the director’s filmograhpy?). When Mikey hits the scene, you’ll know. The music takes a shift – featuring Carpenter’s now classic theme – and the chances of eating axe increase exponentially.

Call of Duty is no stranger to the weird – this is, in fact, a series that saw Danny Trejo and Sarah Michelle Gellar pistol whipping an undead George Romero just a couple of years ago – but it’s typically Treyarch gettin’ up to shenanigans while IW plays the straight man every other year. Ghosts being, in my opinion, the driest, by-the-numbers release in the franchise’s history, it’s nice to have a reason not to instantly forget this title like my mind has been desperately begging me to.

Does Michael Myers’ murderous inclusion make sense? No. There isn’t even an official implementation of the knife-only mode that fans have borrowed his name for. Does his inclusion make me happy? Shit yes; and that overrides logic.

Onslaught, featuring four new maps and a new chapter of Extinction, arrives on Xbox platforms January 28th. PlayStation users are likely to see the pack a month later.

thecosmonaut:

My spooky Gengar pumpkin!

This here is in my house. Waiting.

Halloween is just hours away, folks! While some of you are out there meticulously preparing a wickedly spooky costume to spill keg beer on, us introverts are lining up a marathon of murder, madness, and the macabre. That’s not some alliterated threat I’m making. I just mean we’re going to burn up the devil’s birthday watching horror flicks in the anti-social solitude of our darkened apartments.

As a habitual gamer, though, I grow restless passively watching blood and guts tossed about. I also like to take part in the blood and guts tossing (this article will be used against me in court someday…). I like to keep in season with a rotating program of horror video games. From Silent Hill to Dead Space to that one about the mid-western cops in a zombie filled mansion (why the hell can’t I remember that game’s name?), I just find interactive scares far more stool loosening than the static frights movies hold.

So, here I am, between a tower of Carpenter and Romero flicks on the one side, a separate stack of survival and action horror games sitting on the other. And, thusly, I had my peanut butter cup moment. We’ve already got ourselves some examples of horror films brilliantly adapted into games (2002’s The Thing hurt in all the right ways) but the industry’s still missing out on some killer properties to mine for inspiration. Here’s my top picks for a few more genre classics that deserve to cross mediums:

Halloween Nemesis by Merinid